YOWUSA: Why crop circles?
Posted on Tuesday, November 04, 2003 - 06:14 pm:  

Background Review: A Message from the Bull of My Mother?

The Pisces Connections                        

The Elysian Field content.               

Image Andrew King Copyright 2003 Two images of Chi-1Psi3.

Chi - 1Psi3 star formation in east Pisces.

Zenith at the eye of the Whale of a Tale.

A close look at the Celestial Correspondence of the Crop Circles from Pisces reveals TRUTH.
= horus = hours = time = past-present-future = Stretching of the Cord = Truth.


Proof that Leonardo Da Vinci Knew the Secret Crop Circle Code

A follow up to the YOWUSA post by Teri Gaddy on Monday, November 03, 2003 - 06:34 pm:

NEWS BRIEF: "US TV set for 'Jesus wife' storm", BBC News, November 1, 2003.
Carried on Daily News Updates, 11/1/03.

"A leading US TV news reporter has said her network is taking a risk with a news special which asks whether Jesus Christ had a wife ... The programme is partly based on the best-selling novel The Da Vinci Code ... The book alleges Mary Magdalene - a biblical figure widely thought to have been a prostitute - was actually Jesus's wife ... This story was supposed to have been kept alive by a secret society that included the medieval painter and inventor Leonardo Da Vinci."

This story is well-known in occult secret societies as the "Merovingian Bloodline" and is the planned method by which Antichrist will deceive the Jewish people that he is their Messiah. The fact that this formerly super-secret story is now being publicised by a major American TV station must mean that the time has arrived for hundreds of millions of people the world over to be exposed to this lie. Conditioning, conditioning, Conditioning, and more Conditioning.

Judaism today is primed to believe this lie.


I, Rush, the bewildered stargazer, watched the program last night. My conclusion is simple. Mary Magdalene is Vesica Pisces. The painting of the Last Supper illustrates the fourteen constellations of the zodiac, with Christ being both the Father and the Son, Ophiuchus and Orion in the position of Andromeda and Sculptor. Since the supper takes place in the Upper Room, we see Christ as the Father. But, in the story Christ washes the feet of the twelve. In doing so, he is Orion. Yet, Christ announces his death on the following day duplicating the passage of Andromeda, with her head in the Great Square, to Sculptor (Geb, Seker Asar), in the deep well of the Bottomless Pit.

The proof can be shown by the myth of the Cave of the Graeae. In order to capture the Medusa in DaVinci's Last Supper we have to use the shield of Perseus, which was a mirror. Here is the mirror's point of view of what DaVinci painted when he looked into the Cave of the Graeae at the occasion of the Last Supper of the House of David.

Examine it closely and note the position of the Comforter to Christ's left side. Note the two men pointing on his right side. They are clearly arguing a point. But, DaVinci drew the constellation of Pisces in their "left hands" and also in the placement of the effeminate apostle, or the Beloved One. The righteous men with left hands are the Aryans of Aries. The comforter on the left side of the mirrored Christ is Aquarius. This places Christ between two points of view, rational debaters, and affectionate care givers.

The proof that DaVinci saw Christ as Andromeda is illustrated by the Great Square at Christ's head. The image of Andromeda in the earthly view shows that the constellation has the Great Square at the Head.

In DaVinci's mirror we can see that the three windows duplicate Chi-1Psi3 Pisces, with the larger window being the current place of the Eye of the Lord and symbolically the directly connected branch of the single star, identified with the Greek Letter Chi. The association of Christ and Chi is well known. Did DaVinci know that Bayer would call the star in Pisces by the same letter? He did not need to, for the Key to the Bottomless Pit was already known, and that tied it into his composition. Though he may have been blind to the accounting system of the stars, he was not blind to celestial accounting on earth. Look carefully at the mirrored left hands in the deep well at the front of the table. One left hand points to the sky. The other left hand has three fingers symmetrically opposed to the thumb, and the index finger drawn back. Coincidence? Try to shape your left hand with the index finger drawn back and the other three fingers square to each other. And, what of the finger pointed to the sky? Do the fingers of this left hand say, "ONE and three." DaVinci knew the meaning of One God and Three Components, he also knew about the Key to the Bottomless Pit in Andromeda's lower hand. If you do not believe me, then extend lines at the top of the tapestries on the walls to see where the lines would cross. These lines cross at the enlightened eye, rather than the eye in the darkness. This is the right eye of a Solar Christos in DaVinci's unmirrored composition, which means the left eye was the Lunar Eye of Lazarus (El Asar, Osiris).

Now, the ultimate proof that DaVinci was duplicating the Knuckleball and the Key Crop Circle at Wiltshire, all of which have been tied to Chi-1Psi3 Pisces on this thread, is the very center of his composition. As we look into the Cave of the Graeae, there are three lights in the depth of the cave, and one Light at the table in the foreground. These four lights are the stars Chi, 1Psi, 2Psi, 3Psi, in Pisces at the hand of Andromeda. In the heavens, the four Eyes of the Gods are off the finger tips of the Bound One, as if the knuckleball were falling down. But, in the topsy turvy world of cosmic mirrors, there is another message that tells us Mary Magdalene was not the wife of Christ, but Christ himself.

John 20:13-18
And they say unto her, Woman, why weepest thou? She saith unto them, Because they have taken away my Lord, and I know not where they have laid him. And when she had thus said, she turned herself back, and saw Jesus standing, and knew not that it was Jesus. Jesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away. Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say, Master. Jesus saith unto her, Touch me not for I am not yet ascended to my Father: but go to my brethren, and say unto them, I ascend unto my Father, and your Father; and to my God, and your God. Mary Magdalene came and told the disciples that she had seen the Lord, and that he had spoken these things unto her.

These words are telling us that Mary Magdalene was Vesica Pisces, the woman in Jesus, and in all who would mourn the loss of Truth. The apparition at the center of DaVinci's composition is four lights, one of which is the Spiritual Truth, the others are lights that share one eye, the Sun. The "Windows on the World" are three landscapes that share one light. In the landscapes we see earth and sky. And, to the metaphysical minded DaVinci, the first names of these components are Mother and Father, thus Christ is the Son of the Cosmic Yin and Yang. The Spiritual Truth was caught by DaVinci in the transition from rational child to rational adult. The authors realized that Pisces was the House of the Rising Sun, but they knew that the most important sign in Pisces was that life was yet to come. That is why they placed the celestial comprehension in John 20:17 that was translated "
Touch me not." The four lights off Mother Earth, Father Sky, and their Son, are painted on the same plane, but the conscious of man must rise to the conscious of Father Sky for redemption for become salvation. Faith is the Key, not rational expression, nor emotional submission. The bottomless pit is simply that region of being where we know what we do not know as the genetic wisdom of our physical being. It is the deepest well we have access to. It is intuition. It is Mary Magdalene. It is Vesica Pisces. The Greek word translated as "touch" is derived from the word "hapto," which means "to set on fire." If the physical powers become overpowering in the ascending consciousness, then the fire will consume the soul. But, if delayed gratification is applied on the way to Cosmic Knowledge, then Truth will become the Light of the World.

In Pisces the Spring Sun passes its lowest position relative to the Milky Way as it goes through the meridian of Fornax, the Furnace, and Cetus, the Whale, where a man, Sculptor, lays with his feet to the fire on the back of the Phoenix behind the Stork, Grus, with a Fish, Pisces Austrinis, as his hat. The message means, do not capture the image of the Father in Heaven, but stay prepared for that day when it comes again. This is what Pisces stands for. It means Believe. Consciousness is simply the product of what is believed. The physical being can overwhelm the consciousness if touched too soon. This is the Key. Consciousness must be in the presence of sensation, but consciousness must not blindly cling to sensation. Consciousness must find the intent of being prior to embracing it.
Touch me not for I am not yet ascended to my Father: but go to my brethren, and say unto them, I ascend unto my Father.

This is the precessional truth of the "Signs of the Times" mirrored in DaVinci's incredible master piece. The apostles all lean in accordance with the asterisms from Taurus through Capricorn in accordance to the purification
ritual of the Jews, regarding the Golden Calf, the Lamb, and the Scapegoat. Yet, to keep the celestial vision straight, DaVinci placed the secret code in the hands of Christ. The hand on the side of the comforter is turned down, while the hand under the righteous men is turned upward. This is the annual passage of the sun through the vernal equinox of spring, which we have identified as the 1st of Aries during 2000 years in the Age of Pisces. By holding back the name for the equinox, in a duplication of the request "Touch me not," we were being instructed to wait until the Vernal Sun Begins to Rise before calling the vernal equinox the 1st of Pisces. It means, "Wait and see."

That is the Harmonic Concordance which is represented by the Star of David drawn by the planets when the moon goes dark on November 8, 2003. Yet, that is the very same Harmonic Concordance revealed in the Chapters of Coming Forth by Day (Book of the Dead) and the pyramid texts of Egypt. There the message was written that the Horus of Two Horizons would go dark as he passed through the eleventh hour with Osiris. The Horus of Two Horizons is that place where night and day are equal and the equatorial plane of the earth is the equatorial plane of the ecliptic, where the Wandering Stars run. The Horus of Two Horizons is the Tabernacle of the Sun called the Vernal Equinox. Out of respect for the ending of the cosmic cycle, the ancients held back the 1st of Pisces in memorial to all the Osiris souls of the past until the annual spring sun began to rise with the Horus of Two Horizons. After the place of the vernal sun begins to rise it can truthfully be said, "As it is above, so it is below." We are now in the Land of the Rising Sun, and the wandering stars on the Lunar Eclipse reveal the seal placed on the House of David. On November 23, 2003, an even more incredible event will occur. The Sun will be eclipsed a midnight! And then we will be prepared to read the Chapters of Coming Forth by Day for 13,000 years.

Thus, DaVinci's painting is not about a meal in the Levant city of Jerusalem. It is about consuming the manna from heaven spread out on a table where no Holy Grail is visible to the untrained eye. Yet, if we knew that Aquarius and Ganymedes were the Cup Bearer of the Heavens, then the "V" made by the mirrored left side of Christ and the Comforter would be the tail and the tale of Vesica Pisces. Vesica Pisces is the promise of a New Life through the Holy Grail, in due time. The Vesica Pisces is the victory sign for all who overcome death through delayed gratification and belief in the journey to the Father Above. But, first we must get our feet on the ground and grapple with the Leviathan under the World Tree, then we can lift up the serpent in the wilderness and fly like the eagle to the clefts on the mountain tops.

Has this revelation got anything to do with the eclipse of the Moon on November 8, 2003? Is this more "evidence" that a Harmonic Concordance is at hand? Or is the statement "Judaism today is primed to believe this lie," a reflection of the truth? Consider the words of Rev 6:12.
And I beheld when he had opened the sixth seal, and, lo, there was a great earthquake; and the sun became black as sackcloth of hair, and the moon became as blood. Suppose that the scripture was speaking about our upcoming lunar eclipse. Would the event be Earth Shaking if it duplicated Rev. 6:12 written 2000 years ago, and conceived before the pyramids of Egypt? Let's take another look and come again, seeing for the first time, as we are shaken to our very foundations with the apparition of Chiron, the Centaur who takes us across the River Styx.

This is the zenith over New York City at the Lunar Eclipse. Note that the nymphs of the north are a king and queen and the meridian "touches" king's hat and the mouth of the man with the scepter of flint under the towering tree. Between the king and the man at the bottom of the well a cup bearer pours out life giving waters beneath a "coin" and a table splayed out as if the bound one on the zenith had kicked over the table of the money changers. The man who has not yet risen, because he is at the bottom of the path, lays on the other side of the river Eridanus with his feet to the fire, his back on the Phoenix, his head on the wings of a Stork, and a Fish Hat on his head. This is Peter, the Rock, and the Fisher Man. It is also Cosmic Consciousness on its way through the Bottomless Pit.

The location of the Lunar Eclipse under the Magic Wallet of Perseus. This is the gateway of the Persians, and the prince with the sword in his upraised hand. In his magic wallet is the head of the Medusa, and the cross born by Simon the Cyrene.

The location of the Lunar Eclipse under the House of the Lamb at the tail of the Whale. I am the good shepherd: the good shepherd giveth his life for the sheep.

Vesica Pisces is the triangle with the Moon, Jupiter, and Chiron, when looking toward the Nymphs of the North. There is the reflection of dominion given to the Centaur that crosses the River Styx, the River of Death. Here the Father of Many Nations stand upon a Great Red Dragon, while another steps upon a rock in the land of Seventy Two Virgins and Seventh Heaven.

Vesica Pisces is mirrored as the Light of the World in the triangle with Mars, Sun, and Saturn, when looking toward Chiron's Raft and the Sun Boat where the Leviathan receives the message of life from the Dove off the bow. How to receive this Dreamtime Apparition is marked by Chronos at the apex of the Triangle of Fire. By Gemini! We will learn to Think for ourselves about rational enlightenment. Saturn, by virtue of its true placement say, "Take time to think."

If this is all too scary to behold, then go back to the Cave of the Graeae and paint your own picture. The Cosmic Master does not give the visions of life to any but the Chosen Ones. Smoke and mirrors are evidence of light, just as the landscape in the windows on the world. Perception is an option, not a command. The command is to choose life, for there is given no alternative to life. Death is not an option, for it is just the indecision of wasted time.

Chiron speaks:
Choose the vessel of your dreams.

The Sun Boat of Maat with the Common Sense that life is the Master's Dream,

and the Raft across the River Styx are two choices among many.

But, if you do not connect the dots, then the Bottomless Pit will be your abode.

Drop the ball of self identity, and be not afraid whether it will come back or not.

Be only afraid when you hang on for dear life and lose your head on a pole of material perception.

Rush speaks:
Splish splash I was taking a bath long about a Saturday Night.

What well?

How was I to know there was a party going on?

Shiver me timbers, there goes the locker of Davey Jones!

Don't Touch Me Now! I found the Key!

I have got to turn myself around and see it from up above, like DaVinci painted it.

Matthew 26:12-13 For in that she hath poured this ointment on my body, she did it for my burial. Verily I say unto you, Wheresoever this gospel shall be preached in the whole world, there shall also this, that this woman hath done, be told for a memorial of her.

John 2:3-11 
And the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there: And both Jesus was called, and his disciples, to the marriage. And when they wanted wine, the mother of Jesus saith unto him, They have no wine. Jesus saith unto her, Woman, what have I to do with thee? mine hour is not yet come. His mother saith unto the servants, Whatsoever he saith unto you, do it. And there were set there six waterpots of stone, after the manner of the purifying of the Jews, containing two or three firkins apiece. Jesus saith unto them, Fill the waterpots with water. And they filled them up to the brim. And he saith unto them, Draw out now, and bear unto the governor of the feast. And they bare it. When the ruler of the feast had tasted the water that was made wine, and knew not whence it was: (but the servants which drew the water knew;) the governor of the feast called the bridegroom, And saith unto him, Every man at the beginning doth set forth good wine; and when men have well drunk, then that which is worse: but thou hast kept the good wine until now. This beginning of miracles did Jesus in Cana of Galilee, and manifested forth his glory; and his disciples believed on him.

Revelation 22:13,17  I am Alpha and Omega, the beginning and the end, the first and the last. . .And the Spirit and the bride say, Come. And let him that heareth say, Come. And let him that is athirst come. And whosoever will, let him take the water of life freely.

Judging from the way he drew it, we must conclude that Leonardo DaVinci saw the closely bonded relationship between Jesus and Mary Magdalene as the water and fire in the Star of David and the Cosmic Home. She came down from heaven, and he was the light of the world that guided the sheep back to the Father Land.

That leaves one question unanswered.

Who put stars in Leonardo's eyes?

John 10:10-11 The thief cometh not, but for to steal, and to kill, and to destroy: I am come that they might have life, and that they might have it more abundantly. I am the good shepherd: the good shepherd giveth his life for the sheep.

Come on baby, light my fire.


You are just Seven Clicks away from knowing the truth.

The Assyrian interpretation is Black and White.

The Egyptian interpretation is filled with possibilities.

The Greeks raised men with emotions.

The Europeans Joined the Two Lands.

Are these signs American, Assyrian, Egyptian, Greek, European, or E Pluribus Unum?

Use your own imagination, but decide, who to trust.
Then the imagination will serve the soul in heaven above.

Follow Horus across the River to the Tree of Life
in the Land Between the Two Lands.



The Curious Tale of Asteroid Hermes  and  Iphigenia in Tauris by Euripides

UPDATE 1 10/25/03 Pre-Game LA Fire Storm

UPDATE 2 10/25/03 Post Game

Play Ball!


Why tell this story?

More evidence of the Pisces-Cygnus Connection

A Message from the Bull of My Mother?

Cosmic Birth Canal

Taming the Dagon of Desire

Return of Dagon

Conception of the Son of the Sun of the Sun

A Body on Loan from God, Phaeton and Dagon Circumcise Rush

Ishmael Comet and the Angel Crop Circle    

Additional essays in reverse chronological order on the current Judgment Day events.

A Goddess gives birth to the New Age

Fulfilling Mother Nature's Dream of Kingdom Come

A Close Encounter with Mars
Reveals the Dream of First Father and First Mother

Of Flowers and Chariots- An essay on human sexual response

Return to:  Close Encounter of Ares and Antares on Judgment Day

A Close Encounter of Ares and Antares on Judgment Day: Evidence of Past Lives Near Antares

The Circumcision of Kobe

The Circumcision of Hope, A Layman's Worries

Hope's Eternal Resting Place

Return to Aquarius

Return to New York Under Hell Fire and Brimstone

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First Posting: November 4, 2003
Last Update: November 6, 2003